The Water Diviner a great success despite too many themes

Australian actor and screen hero Russell Crowe’s first film as a director, “The Water Diviner”, has become the most successful film of last year (2014): in just five days of release. Opening on Boxing Day (26 December), the film grossed $5.68 million in just six days – through New Year’s Eve, 31 December – to top all other Australian films in 2014. As of a week ago on Sunday (4 January 2015), the film had grossed $8.4 million in Australian cinemas, and was still pulling big audiences.

Last week (5 January 2015) The Sydney Morning Herald (Karl Quinn) also reported that “The Water Diviner” had also become the biggest box office draw in Turkey (where the film is partly set), with more than half a million viewers in its first week, and grossing more than $3,000,000 (Australian) – even reaching the number one theatrical spot in that country.

“The Water Diviner” is a very enjoyable film, but Russell Crowe seems to have been taking lessons from the Baz Luhrmann school of film making: like Luhrmann’s film “Australia”, Crowe decided to throw a number of movies in one in “Diviner”, but I liked it anyway. Karl Quinn in The Sydney Morning Herald describes it as three or four movies: “outback-struggler tale, war movie, history pic, father-son drama, romance, a bit of “Zorba the Greek” tossed in with Lawrence of Arabia and seasoned with a dash of magical realism.”

There are a lot of themes, yes, but there’s only one point where the screenwriters go too far: a moment when the Russell Crowe character seems to have stepped into another movie, one about Turkish nationalism. Look for that point, and see if you can agree.

But these are quibbles. “The Water Diviner” is hugely enjoyable, Rural South Australia “stands in” for Gallipoli (as it did for Peter Weir’s “Gallipoli” in the early 1980s). The best dust storm (northeast Victoria) in Australian film history takes place, there’s loads of tragedy, a nice romance and a good child performance – as well as some excellent Turkish actors, Russell gets to fight again (didn’t we all love him in “Gladiator”, a much better film than “Exodus”, by the way, by Ridley Scott, the Exodus director) and coincidences like you wouldn’t believe (including one notably embarrassing one that I won’t repeat as others have already). Shoot the screenwriters, I say, but enjoy the film anyway – the biggest Australian film in a year or more.

Water Diviner

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One Response to The Water Diviner a great success despite too many themes

  1. artandarchitecturemainly says:

    Well worth seeing, agreed.

    Before I saw the film, I had expected from the reviews that Australians would be shocked by the renewed look at Gallipoli and the all conquering Australian spirit. That we would finally understand that the Turks were also heroic in defending their own homeland from outside armies.

    Yet the theme of Turkish nationalism and heroism was not one that was obvious. Certainly the Turks were shown as helpful to the grieving father, interested in re-establishing their own families and businesses again etc etc, But they seemed randomly violent and not particularly focused on creating a new nation.

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