(This film review of “Can You Ever Forgive Me?” appeared in the Australian Jewish News on 7 December 2018.)
Directed by Marielle Heller; written by Nicole Holofcener and Jeff Whitty, based on the memoir by Lee Israel; starring Melissa McCarthy, Richard E. Grant, Marc Evan Jackson and Joanna Adler
“Can You Ever Forgive Me?” is probably the best film you will ever see with an unlikeable and unattractive Jewish lead character.
Melissa McCarthy – American comic actress best-known for her vigorous and occasionally gross physical comedy (witness “Bridesmaids”) – plays Lee Israel, a failing Brooklyn-born non-fiction freelance writer whose career has run into trouble. Despite modestly successful biographies on Katharine Hepburn and Tallulah Bankhead, her book on Estée Lauder has bombed and no publisher is interested in her next project – on Jewish actress and comedian Fanny Brice.
Lee’s agent gives blunt advice when Lee complains bitterly about Jack Clancy’s success at writing action thrillers: “You can be an asshole when you’re famous.”
Desperate for funds, Israel starts selling her possessions, including her prized Hepburn letter. When she accidentally finds a Fanny Brice original letter in a library book, she realises the value of celebrity correspondence in the ephemera and memorabilia market. With no more “real” letters to sell, she develops a career as a forger of letters from the likes of Noel Coward and others, using her literary and research skills to embellish the letters in ways designed to appeal to dealers and collectors.
Set in the 1990s, this melancholy film is given extra poignancy because the story is true: Lee Israel was a real person (she passed away in 2014) – a Jewish lesbian who resurrected her reputation (she is ultimately caught) through her autobiographical book telling of her short career as a literary forger, which ultimately became this film.
Lee Israel stumbles into a close friendship with Jack, a gay man played with wild abandon by Richard E. Grant. His occasional over-acting perfectly fits his character: flamboyant, intensely verbal, slavishly loyal (too loyal) to Lee, partaking in numerous sexual delights and easily distracted.
“Can You Ever Forgive Me?” acts as an ode to New York City: shots of the 59th Street Bridge from director Marielle Heller and Jewish co-writer Nicole Holofcener (read my review of Holofcener’s film Friends With Money) consciously evoke Woody Allen’s “Annie Hall”. It’s also a film about books, writing, biography, creativity (or its absence), money (or its lack), fame (or its opposite, obscurity), professional ethics (or none), and frustrated or mis-directed love.
The film also hints at deeper questions: what, in fact, is real when forgers are so readily believed? (The film-makers slyly hint at the present moment of “fake news”.) A wordless scene near the end of the film is telling: a bookstore owner realises that a celebrity letter (written by Israel) in his shop’s window is a forgery, and removes it. After a moment’s hesitation, he puts the letter back in the window.
But the film “Can You Ever Forgive Me?” is Melissa McCarthy’s. Her character is unhygienic (look for the great comic scene with her cat), grumpy, ornery, irascible, unhappy and anti-social. But she’s also energetic and oh-so-real, serving to charm audiences with her story of decline, fall and ultimate resurrection.