Jerry Lewis a great entertainer passes away

August 22, 2017

Jerry Lewis, born Joseph Levitch to Russian-Jewish vaudeville entertainer parents and one of the towering American-Jewish comics of the 20th century, has passed away at age 91. He combined his film career with a long commitment to community service, including the Muscular Dystrophy Association, for which he raised funds.

Although he acted in numerous film and television shows during a career that began in 1949 through the present day (he appeared in last year’s “The Trust” with Nicholas Cage), during the 23 year period from 1960 to 1983, he also directed himself in 12 films.  All these films screened at last year’s Melbourne International Film Festival – in retrospect, almost perfect timing memorialising a great man of American film: “The Bellboy” (1960), “The Ladies Man” (1961), “The Errand Boy” (1961), “The Nutty Professor” (1963), “The Patsy” (1964), “The Family Jewels” (1965), “Three on a Couch” (1966), “The Big Mouth” (1967), “One More Time” (1970), “Which Way to the Front?” (1970), “The Day the Clown Cried” (1972), “Hardly Working” (1981) and “Cracking Up” (1983).

Although mostly known as a comic and entertainer, Lewis also was an extraordinary film technician: he invented the “video assist”, a technology that enables filmmakers to view a video version of what they have shot.

Two of Lewis’ best-loved films are “The Nutty Professor” and “The Bellboy”, where the video assist was used for the first time. “Professor” (re-made in 1996 starring Eddie Murphy), is a romantic comedy crossed with science fiction parody of “Dr Jekyll and Mr Hyde”. Jerry Lewis’ persona as Julius Kelp – prone to accidents, socially awkward and buck-toothed – has never been on better display than on this film, and was so popular that Lewis later reprised the character in both “The Family Jewels” and “The Big Mouth”.

“The Bellboy” – my personal favourite and Lewis’ debut as director – captured another side of the Lewis persona, taking a “bow” to classic silent comedians, in particular the pantomime artist Stan Laurel, who Lewis consulted on the script. “The Bellboy” has a lovely “backstory”:  Lewis – who directed, produced, wrote and starred – shot the film in less than four weeks on location at the historic Fontainebleau Hotel in Miami Beach, filming during the day while performing in the hotel’s nightclub at night. For those of us who grew up in the northeast of the USA in the 1960s and visited Miami Beach, the Fontainebleau personifies that time and place. And Jerry Lewis in turn personifies the hotel. View it for a peek of what life was like there and then, more than 55 years ago.

“Which Way to the Front” – although a minor addition to the Lewis body of work – tackled the Second World War, where Lewis plays a rich playboy who volunteers to fight against the Nazis and impersonates a German general.  It was Lewis’s only overt attempt – in the style of Charlie Chaplin’s “The Great Dictator” – to ridicule the Nazis. Although it failed as a film, it’s worthwhile viewing for both Lewis fans and film historians.

The world will be a much poorer place without Jerry Lewis in it, but we are all much richer for his having shared himself with us.

Jerry Lewis The Bellboy DVD cover

(Note: the post above is an updated and expanded version of my original article, which appeared in The Australian Jewish News Melbourne edition on 28 July 2016.)

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Australia’s first-ever Jerry Lewis film festival opens in Melbourne

July 31, 2016

(This article appeared in the Australian Jewish News, Melbourne edition, on 28 July 2016 in a different form.)

Australia’s first-ever Jerry Lewis film festival has opened in Melbourne, as part of this year’s Melbourne International Film Festival (MIFF).

Jerry Lewis, born Joseph Levitch to Russian-Jewish vaudeville entertainer parents, stands as one of the towering American-Jewish comics of the 20th century.  Although he acted in numerous film and television shows during a career that began in 1949 through the present day (he appears in this year’s “The Trust” with Nicholas Cage), during the 23 year period from 1960 to 1983, he also directed himself in 12 films.  All of these films will screen at this year’s MIFF: “The Bellboy” (1960), “The Ladies Man” (1961), “The Errand Boy” (1961), “The Nutty Professor” (1963), “The Patsy” (1964), “The Family Jewels” (1965), “Three on a Couch” (1966), “The Big Mouth” (1967), “One More Time” (1970), “Which Way to the Front?” (1970), “The Day the Clown Cried” (1972), “Hardly Working” (1981) and “Cracking Up” (1983).

Two of Lewis’ best-loved films are “The Nutty Professor” and “The Bellboy”.  “Professor” (re-made in 1996 starring Eddie Murphy), is a romantic comedy crossed with science fiction parody of “Dr Jekyll and Mr Hyde”.  Jerry Lewis’ persona as Julius Kelp – prone to accidents, socially awkward and buck-toothed – has never been on better display than on this film, and was so popular that Lewis later reprised the character in both “The Family Jewels” and “The Big Mouth”.

“The Bellboy” captures another side of the Lewis persona, taking a “bow” to classic silent comedians, in particular the pantomime artist Stan Laurel, who Lewis consulted on the script.  “The Bellboy” also has a lovely “backstory”:  Lewis – who directed, produced, wrote and stars – shot the film in less than four weeks on location at the historic Fontainebleau Hotel in Miami Beach, filming during the day while performing in the hotel’s nightclub at night.

“Which Way to the Front” – although a minor addition to the Lewis body of work – tackles the Second World War, where Lewis plays a rich playboy who volunteers to fight against the Nazis and impersonates a German general.  It was Lewis’s only overt attempt – in the style of Charlie Chaplin’s “The Great Dictator” – to ridicule the Nazis, and although it failed as a film, it’s worthwhile viewing for both Lewis fans and film historians.

The Bellboy(poster of Jerry Lewis’ film “The Bellboy”, shot on location in Miami Beach)


The Forward’s ‘Top 50’ Jews in American Life

November 29, 2015

Here’s further proof that Australia and the USA – despite being linked by the English language and a long and deep friendship – are worlds apart in social, political and artistic cultures. “The Forward” – possibly the oldest and still the best Jewish newspaper in the USA (originally published in Yiddish as “The Jewish Daily Forward”, and read religiously by my grandfather Sol) back in the 1930s – has just published its list of the 50 Jews in the USA making the most impact in 2015.

The article is entitled “Loud, Proud, And at The Heart of America”. Author Jane Eisner points out that, “This is a year when American Jews are deeply, loudly and passionately embedded in some of the most pressing political and social issues in the nation.” Jews seem to be everywhere on the cultural cutting edge, “from the debate over a nuclear deal with Iran, to the emergence of transgender identity in synagogues and on screen, to the groundbreaking acceptance of marriage equality.”

Politics: Presidential wanna-be (Vermont Senator) Bernie Sanders, as well as New York Senator Chuck Schumer (uncle of Amy, more on her later) and Congressman Jerry Nadler (New York City – whose district we lived in during our 2011 residence).

Culture: TV show “Transparent” director Jill Soloway and actor Jeffrey Tambor. And number one on the list: actress and comedienne Amy Schumer (“Trainwreck”, and one of “Time” magazine’s “top 100”).

And so the list goes. Fascinating, yes.

But from the perspective of Jews who live outside of the USA, how many of them are “household names” here in Australia (or anywhere else outside of North America), even in the Jewish community? Remarkably, astonishingly, few. Check out the list yourself. Of the 50 (see the complete list below), I only count 12 that I can name with assurance – AND I think I am tied in to US culture and politics.

The ones I recognise are Amy Schumer, Bernie Sanders, Michael Dell (computers), Sheldon Adelson (casino magnate, Jewish philanthropist and conservative activist), Ben Lerner (post-modern novelist), Jill Soloway, Jeffrey Tambour, Jon Stewart (TV host), Sarah Koenig (NPR’s “Serial” podcast), Jerrold Nadler, Charles Schumer and Dianne Feinstein (California Senator).

Top 5
• Amy Schumer
• Marina Rustow
• Bernie Sanders
• Mendy Reiner
• Evan Wolfson

Activism
• Shoshana Roberts
• Nicholas Lowinger
• Emma Sulkowitcz
• Alan Gross
• Ruth Messinger
• Ruby Sklar (and Rachel)

Business
• Michael Dell
• Paul Singer
• Justin Hartfield

Community
• Eli Broad
• Haim Saban
• Tom Sosnik
• Sheldon Adelson
• Alisa Doctoroff

Culture
• Jill Soloway
• Hari Nef
• Billy Eichner
• Shulem Deen
• Nicole Eisenman
• Ben Lerner
• Jeffrey Tambor
• Zalmen Mlotek
• Carolyn Hessel
• Jon Stewart
• Ike Barinholtz
• Sarah Koenig

Food
• Alon Shaya
• Yehuda Sichel
• Leah Koenig

Media
• Lori Adelman
• Sarah Maslin Nir

Politics
• Jerrold Nadler
• Charles Schumer
• Ann Lewis
• Dianne Feinstein
• Wendy Sherman
• Leon Rodriguez

Religion
• Bethany Mandel
• Deborah Waxman
• Capers Funnye
• Naftuli Moster

Science
• Evelyn Witkin
• Gary Cohen
• Tom Frieden

Sports
• Dustin Fleischer

(Amy Schumer’s image from the article appears below.)

Amy Schumer image The Forward


Ruth Marcus Patt

April 1, 2015

“Ruth Marcus Patt – Author, Historian, Philanthropist, and Woman of Valor”. That’s the title of the most recent bulletin of the Jewish Historical Society of Central New Jersey, devoted to celebrating her life.

Ruth was a great New Jersey Jewish leader who has just passed away at age 95. She was also my aunt, having married my mother’s brother Milton.

Ruth’s achievements have been detailed in a number of places. Aside from the Jewish Historical Society, you can read her official obituaries from the Home News Tribune (published on 25 February 2015) and the New Jersey Jewish News. Her life has also been detailed in the book Past and Promise: Lives of New Jersey Jewish Women.

In brief: Ruth graduated Douglass College (now part of Rutgers University) in 1940, with a BA in Sociology and a minor in Psychology. The then worked as a psychiatric social worker at Marlboro Psychiatric State Hospital before getting married to her husband Milton (my uncle) and travelling with him during the Second World War. She lived a life devoted to community service, including the Anshe Emeth Memorial Temple in New Brunswick, where she served as the President of the Sisterhood, a Board member and a 15 year period of editing the Temple newsletter. I know her writing well: for many years she wrote a family newsletter, entitled “The Colony House Observer”, named after the New Brunswick apartment building that she lived in.

Ruth devoted much of her energy to Jewish history, as the founder and leading light of the Jewish Historical Society of Central New Jersey. She wrote four books and numerous other articles on Jewish life in New Jersey, including The Jewish Scene in New Jersey’s Raritan Valley, The Jewish Experience at Rutgers and Uncommon Lives: 18 Extraordinary Jews from New Jersey.

In addition to her Jewish communal achievements, she served the City of New Brunswick – where she was born, raised and educated – with distinction. She chaired the City’s 300th year (“tercentennial”) celebration in 1980, which involved more than 130 events involved a wide range of ethnic, religious and racial groups. She was later recognised for her achievements with the Citizen of the Year award from the City. Other awards included the New Jersey Historical Commission’s Award of Recognition, the Douglass Society Award for Distinction in Public Service and the Rutgers University Medal. She and her husband Milton both received the Lehman Award for Service to the Jewish People.

As a person and a public figure, Ruth was “larger than life.” She commanded respect, not by “commanding” but by her personality and her leadership ability. She asserted authority, not because she necessarily wanted to be authoritative, but because that’s who she was, a person who could do things, and who would make things happen. She was gracious, articulate and expressive.

As I have travelled in the Jewish world in the USA and here in Australia, meeting travelling Jewish leaders in different settings, it is astonishing how many of them knew Ruth. It opened doors and added to my credibility to be able to introduce myself as “Ruth Patt’s nephew.”

Ruth is survived by her sons (my first cousins) and their wives, Dr Richard and Althea Patt and Dr Steven Patt and Deborah Jamison, two grandchildren and five great-grandchildren. Along with my cousins and their families and the Jewish community of Central New Jersey, I celebrate Ruth’s life achievements and I mourn her passing.

Ruth Patt


Amanda Barker appointed new consumer director on COSL – one of Australia’s two credit ombudsman services

October 30, 2014

I am pleased to note that my former colleague at ASIC – the Australian Securities and Investments Commission – has now been appointed a new consumer director at COSL, the Credit Ombudsman Service Limited, which is one of Australia’s two ASIC-approved credit ombudsman services.

I worked closely with Amanda for almost two and a half years in ASIC’s Community Outreach Program:  she was the team leader and I was the deputy team leader.  I know of nobody who is better able to take on this important role – especially given her long experience and commitment to financially vulnerable and disadvantaged Australians.

The official media release goes as follows, and can be found on both the COSL website and the Consumers’ Federation of Australia website.

*****

The Board of the Credit Ombudsman Service Limited (COSL) announced the appointment of Ms Amanda Barker as the new non-executive consumer director of the company, effective 22 October 2014.

Ms Barker is well known for her work with culturally and linguistically diverse communities. Indeed, she has been nominated for the Prime Minister’s Community Award and was awarded the Public Service Medal in 2012 which recognises outstanding service by employees of the Australian Government.

Ms Barker was the Senior Manager of the Community Outreach Program at the Australian Securities and Investments Commission (ASIC), where she was employed to engage more meaningfully with vulnerable and disadvantaged communities.

Ms Barker’s experience ranges from individual casework to policy reform and educating consumers in relation to consumer credit. She has worked collaboratively with government departments that fund programs for these target groups and has provided guidance and advice about policy settings and service delivery.

Mr Mark Scanlon, COSL’s Chairman, congratulated Ms Barker on her appointment and noted: “Ms Barker is exceptionally well qualified for the appointment as COSL’s new Consumer Director given her experience working in consumer advocacy and consumer protection, particularly in relation to consumer credit.”

“Her acknowledged stakeholder engagement and management skills and reputation, dealing particularly with the vulnerable and disadvantaged, will contribute to the effectiveness of COSL’s work in this area. I look forward to working with Ms Barker in continuing to develop COSL as a leading external dispute resolution scheme,” Mr Scanlon said.

“Ms Barker replaces Ms Karen Cox who stood down from the Board on 27 August 2014. My Board, staff and I are indebted to her for her input into the development and continued growth of COSL,” continued Mr Scanlon.

 

 

 


Jesse Eisenberg – an actor on his way

July 6, 2014

Like me, you may be continually astonished at how the young, physically underdeveloped and slender Jewish actor Jesse Eisenberg has been marking himself as one of the next “go to” Jewish creatives, with a strong and diverse resume that seems it will only get better with age.

David Denby, in the June 2, 2014 issue of The New Yorker, reviews two Eisenberg films – “Night Moves” and “The Double”, and captures something of Eisenberg’s essence:

Eisenberg was the latest smart-boy Jewish movie actor to hit the mainstream, but he wasn’t neurotic, like the young Dustin Hoffman; or self-deprecating, like the young Woody Allen; or bumptious, like Ben Stiller. He’s openly demanding, a nerd hiding his fears behind aggression.  Richard Dreyfuss did something similar, but Eisenberg is more nuanced.  His indelible performance as Mark Zuckerberg, in “The Social Network,” suggested that a new kind of personality had entered the world, a code-based brainiac who deals with life as if it were data. Racing through Aaron Sorkin’s brilliant script, Eisenberg short-circuits or wrong-foots other people.  Yet, on second viewing, you can see that for all his bullying speed, and the smirking put-downs, he ruffles the surface of Zuckerberg’s confidence and reveals an easily wounded temperament underneath.  Eisenberg is an economical actor, often relying on no more than a flutter of his eyelids, or a half smile, or a sweet glance that shades into contempt.  He is unafraid to play jerks, solipsists, narcissists.

He is also an accomplished playwright, contributor to The New Yorker, and has had two of the most noted male film performances in the past decade: playing Mark Zuckerberg in “The Social Network” (my pick for best film of 2010, in large part due to Zuckerberg) and the son in Baumbach’s “The Squid and the Whale” (2005). In fact, he played Zuckerberg so well that it took more than a year for the real Zuckerberg to re-instate his own persona to the public. Now, that’s acting.

(Note:  Zuckerberg grew up in East Brunswick, New Jersey, which is just a short bike ride from my home town of Highland Park.  But, like the best New Jerseyans, he has both kept a certain “New Jersey” core – intellectual, verbal, thoughtful, internal – as well as transcended his childhood.)


Notes on the passing of Werner Dannhauser

June 29, 2014

A couple of months ago, Cornell University issued a fascinating press release: Professor Emeritus Werner Dannhauser, a former professor of politics and political theory, had died at age 84.

I remember Werner Dannhauser, because I studied with him at Cornell in the 1970s. I just checked my transcript (yes, I still have a copy): the course was entitled “Introduction to Political Theory” (Government 161), and I received a C-, the lowest grade of my university career.

Dannhauser was even then very eminent. But he was also very sickly, and I am astonished that somehow he would have lived another forty years. We were led to believe that he was going to die any minute. His tutorial assistants would carry him in to the classroom for every lecture, sit him down, and strap a microphone around his chest. He would then painfully whisper out a lecture which everyone claimed to be brilliant. We would all try to copy everything verbatim. His tutors worshipped him; we students were in awe, even if we did not understand what he said.

Then came the first assignment. I had such a hard time writing the first term paper (what can you write for a barely living intellectual treasure?) that I procrastinated until the last possible moment. The night before it was due, rather than sitting down to write after dinner, I went to see Humphrey Bogart in “Casablanca” – for the first time. It was wonderful, as “Casablanca” always is. I cried when the French sang “La Marseillaise”.

I returned to my room and late that night wrote what I believed to be my most inspired piece of writing to date. I called it “Humphrey Bogart, Casablanca, Nietzsche and the Machiavellian ideal”. The grade came back from my tutor the next week: Fail. I should have known.

So here I am almost forty years later, and Dannhauser has passed away, and I am left wondering why he was so sick – so apparently on his deathbed even then (and how he miraculously recovered; I can find no reference to that online).

And here are the things that I did not know about Dannhauser then:

– He was a Jewish refugee from Nazi Germany, arriving in the USA in 1938 at age nine. He studied for his PhD at the University of Chicago under Leo Strauss, worked for “Commentary” magazine and later came to Cornell. His wife died at a young age, and he raised his two children on his own.

– His essay “On Teaching Politics”, originally published in 1975, is still seen as a classic of the genre.

– Dannhauser was extremely close friends with Allan Bloom, and almost certainly the character of “Morris Herbst” in the novel “Ravelstein” by Saul Bellow was based on Dannhauser. (Want to read the first chapter of “Ravelstein”? You can find it here.)  Bellow even sent Dannhauser a draft of the novel to review, and Dannhauser suggested playing down Ravelstein’s homosexuality, which Bellow did not do.  In May 2000, C-Span broadcast a session at the Hudson Institute, in which Dannhauser participated, discussing Bellow and Bloom.

All these things I did not know, until very recently.  Perhaps, had I known some of them then, I would have paid more attention.  But I did not.

I recovered from the Fail mark and pulled a C-, but for many decades I declared that I was not interested in “political theory” – all because of my bad experience in Dannhauser’s course, and the acolytes who followed him around. What a shame, and what a waste. Perhaps the lesson is that eminent professors do not always turn into inspiring teachers. Perhaps it was just my callow youthfulness, but in my case, my experience was just the opposite.

(More Dannhauser obituaries are available from “Commentary” and “The Weekly Standard”.)