This film review of “Churchill” appeared in the Australian Jewish News on 15 June 2017.
Directed by Jonathan Teplitzky; written by Alex von Tunzelmann; starring Brian Cox, Miranda Richardson, John Slattery, Ella Purnell and James Purefoy
As one of the towering political leaders of the 20th century, Winston Churchill holds a special place in British history, with a political career spanning five decades. His impassioned speeches as Prime Minister during World War II are often credited for having kept much of Britain’s heart and soul together, particularly during the darkest years early in the war.
The new film “Churchill” – by Australian Jewish director Jonathan Teplitzky (“The Railway Man”), working from a script by British historian Alex von Tunzelmann – may surprise some, because it does not focus on Churchill’s finest hours – of which there were so many. Instead, “Churchill” takes place over a few days in June 1944 leading up to the Normandy “D-Day” Allied landing. According to this film, Winston Churchill actively opposed the landing, promoting instead a southern European action by the Allies. The reason for his opposition? He feared tremendous casualties associated with a direct beach invasion, being haunted by the images of tens of thousands of young British soldiers dying during the first World War, at Gallipoli and elsewhere – when Churchill was First Lord of the Admiralty, the political head of the British Navy.
Although set at a crucial time during the war, the film feels like it could have been adapted from a play (it wasn’t), with most scenes set inside offices and residences. What the viewer most remembers from “Churchill” is Churchill the Prime Minister (played by iconic Scottish actor Brian Cox) arguing, primarily with Allied generals including Dwight Eisenhower (John Slattery, from “Mad Men”), but also with his wife, Clementine (Miranda Richardson).
Churchill’s staff fear that the stress of leadership means he is losing his grip on reality (Churchill was 69 years old at the time, and still had more than ten years of political life ahead). He abuses underlings and rants and raves, insisting that he must then go in on one of the first boats to the beach.
Given Winston Churchill’s extraordinary political career and his enormous accomplishments as a writer (he won the Nobel Prize for Literature in 1953), public speaker, war strategist and protector of British national character, it seems curious – and overly grandiose – to name this small film in a way that implies that it’s a full biography. It certainly is not.
What “Churchill” the film does, however, is to give a platform for two of the greatest acting performances of the year: Brian Cox as Winston and Miranda Richardson as Clementine. The two of them are captivating, in the way that “Who’s Afraid of Virginia Woolf?” showed us that an arguing couple could still be interesting. While John Slattery as Eisenhower is not nearly as well-cast, other characters provide great foils for Brian Cox’s screen power, including Julian Wadham as Field Marshall Montgomery, Richard Durden as South African statesman Jan Smuts, James Purefoy as King George VI (an understated but touching small role) and Ella Purnell as a war room secretary.
(image below: Brian Cox as Winston Churchill)